Daily Babble: Networks Demonstrate That Technology Doesn't Equate To Advancement
This piece has been a long time coming, but ABC's telecast of the Celtics' well-played victory over the defending champs on Sunday finally brought one particular issue to a head.
Nope, this isn't about the announcing crew. Frankly, I'm a huge Mike Breen booster, and while Jeff Van Gundy and Mark Jackson were by no means great on Sunday, liking color commentators is largely a matter of perspective. Jackson isn't a favorite of mine. Van Gundy is still growing on me. Perhaps you feel differently. Perhaps you don't. With the exception of the truly special announcing crews out there (ah, another chance to plug Breen and Frazier!), announcers shouldn't be able to kill one's enjoyment of a televised game. The mute button has been around for a while now, folks, and utilizing it while opting for music instead of the commentary is always an option.
It isn't about the halftime show. Having an extra 15 minutes to take care of non-basketball business -- or to fly around the 'Net to check stats and read game threads -- never hurt anyone.
Sure, there are probably quite a few complaints to be registered about the manner in which NBA games are broadcast these days, and chances are, we'll get to them in this space at some point in the days to come. But at least from this end, most of those complaints are matters of personal preference and convenience.
Desiring to be able to view the game with some reasonable semblance of an idea as to what's happening on the floor isn't. That would be a necessity for basketball observers.
All of Steve's daily posts can be found in the CelticsBlog: NBA blog. Check him out!
The use of the moving, tight-shot, low-angle camera for extended lengths of time needs to go, and it needs to go soon.
It accomplishes absolutely nothing for fans watching the game at home. In what seems like an attempt to give audiences more of a 'courtside' feel, all the camera serves to do is distort the view of the court for observers. With an image so focused on being close to the ground, it becomes virtually impossible to get a real feel for the spacing of the players on the floor and where figures in the foreground actually are in relation to the background. Understanding how someone made a particular play or whether or not a player should have been able to get to a certain spot -- or even comprehending the degree of difficulty of a particular shot -- become exponentially more difficult than usual because it takes so much more effort simply to figure out where the ball is in relation to the basket and where the players are with regard to each other.
Furthermore, on possessions with particularly quick ball movement, the camera simply isn't quick enough to keep up, which only leads to further trouble. If the ball goes from one wing to the opposite corner with any speed, fans are going to be stuck with a distorted view of the rest of the play. Trying to follow what's going on away from the ball is a joke.
These exact problems occurred several times at the outset of the Spurs-Celts game on ABC yesterday, with fans being left in the dark as to the entirety of what happened on multiple baskets early in the first quarter. This happens at some point throughout nearly every ABC telecast, and the network isn't alone. Affiliate ESPN engages in similar practices, and so does TNT.
This wouldn't be such a source of aggravation, of course, if not for the fact that there was never a single need to change the status quo. The standard high-angle camera that most basketball telecasts use with regularity does its job to virtual perfection all the time. It provides a view of nearly an entire half the floor at an angle close enough to easily follow the movement of the ball and to recognize the players but far enough to provide a view of everything that is occurring on the floor. Of ten players on the basketball court, only one has the ball at any given time. But being aware of what the other nine are doing is crucial to understanding the game. The same high camera angle that has been used for years continues to allow fans to see this and get the entire picture of how the game works.
Of course, varied angles and close-ups can be useful for replays and slow-motion shots, when one is looking to pay closer attention to a particular aspect of a play. But so far as watching a game live is concerned, there hasn't been any need for the changes that have been occurring throughout this decade with regard to cameras used during play, particularly over the past couple of seasons.
Just because something can be done doesn't mean that it should be.
So to the networks with NBA broadcast deals, please, please let us just watch and enjoy basketball games for the beautiful games that they are from an angle that makes sense. And please, save the razzle-dazzle for after the fact.
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19 comments
Comments
Thank you. That shot is interesting for a flash maybe, to see a mesh between the almost overhead view, and the straight floor view… but it does not work as a primary view to see the action.
I liken it to many car racing arcade games. First person view, looking through the windshield, is just too hard to see what’s going on. The next view, seemingly from the top of the car, only vision in front of you, is like this view you’re talking about. The best and easiest view to race? Above and behind the car, with full view of what’s in front, behind, to the left, and to the right of you.
If it ain’t broke, don’t fix it.
by Big Ticket on Feb 12, 2008 1:22 AM EST reply actions 0 recs
Bah, Big Ticket! Somehow, I wrote an entire column about this and omitted the best possible phrase for the situation: “If it ain’t broke, don’t fix it.” Congratulations for officially clinching the “Line from a Reader That I Wish I’d Remembered To Say” for the week starting Sunday, February 10. Well said.
Good analogy to the racing game, and glad to see you’re in line with me on this one.
-sw
by Steve Weinman on Feb 12, 2008 1:34 AM EST reply actions 0 recs
that high camera angle that you like so much was instituted by tommy heinsohn back in the days he did network tv. check it out with gorman or tommy himself. breen et al don’t bother me yet because i am new to them and i don’t have a good feel for them. i used to like walton and bill russell but their style grew annoying the more i heard them. for some reason, johnny most and tommy never grew boring even tho they are/were repetitive and hysterical at times. there are games that tommy forgets to give tommy pts. during play—thank god- it got tired.
by nazzbo on Feb 12, 2008 7:08 AM EST reply actions 0 recs
Amen to that. When I first saw the low-to-the-floor shot, I thought it was a by-product of HD TV and wondered where it came from. It’s the same with courtside seats at the game. From my viewpoint, they are not really as good as sitting a little higher in the stands.
Even though I revel in the Knicks state of disarray (to use a Frazier phrase), their announcing team is one of the best in the NBA. I wish I could say the same about the Celts, but even though Gorman is terrific I’m not a big fan of Tommy. Cousy and/or Marshall are more to my liking as color guys. But it could be worse; we might be saddled with Orlando’s Yahoo pair.
As an aside, I’d be interested to read a piece from you regarding the Celtics possible activity or lack thereof in the nine days remaining before the trade deadline. What are the pros and cons of going after a veteran back-up at point guard, or at one of the big positions? What player or players might be sacrificed to improve the roster? Also, we see what teams in the West are doing in terms of bulking up. Will the top Eastern Conference teams (I know, there aren’t many) be making any significant moves to boost their post-season chances?
by lemonadesky on Feb 12, 2008 8:03 AM EST reply actions 0 recs
While we’re on the subject, I’ll mention my pet peeve. It’s when I’ve been watching a game from mostly the same standard angle for an entire game, but then during the final minutes of a close contest, the clever television director back in the trailor has the cameraman zoom back, especially coming out of every darn commercial, in order to show more of the cheering fans in the stands.
By seeing more of the fans, I’m supposed to be stirred up by their excitement. But instead, I’m just aggravated because now the players on the court are significantly smaller and harder to see. Usually the cameraman will slowly zoom back in again; but if anything vital happens in the first few seconds, like a steal, you can’t see it at home.
by no kidding on Feb 12, 2008 8:04 AM EST reply actions 0 recs
The reason why the angle is so bad, is the same reason why it will not be leaving anytime soon. The camera angle annoys basketball fans, and people that know about basketball. The NBA is not concerned basketball fans. For years now, the NBA has taken basketball fans for granted, and simply tried to bring in new fans with gimmicks, flashy images, and Beyonce at halftime.
The camera sucks, period, it works for football, but really detracts from an NBA game. Having said that, get used to it, some minivan mom in Wisconsin thinks it’s cute.
by Celtic on Feb 12, 2008 9:38 AM EST reply actions 0 recs
lemonadesky,
I hear you on the issue of sitting courtside versus slightly higher up, although I would say that the camera issue really exacerbates this problem. There are some benefits to sitting courtside at a basketball game — you’re legitimately nearer to the action, you can hear the players yelling and can watch certain individuals with a lot more closeness. Also, when sitting courtside, at least you have the power to look at any part of the court you want, rather than the small slice of it that the camera gives fans on TV. On television, fans get none of those benefits and would simply be far better off with that high-angle view. Frustrating.
Hey, great use of a Frazierism! “State of disarray” has long been a favorite of mine, along with numerous others. Just to name a few: razzle-dazzle, starting to percolate, in danger of dropping further into the abyss, swishing and dishing, posting and toasting, discombobulated….I could go all day. I really do believe that Walt and Breen make a game more fun to watch. A truly special announcing team.
Much thanks for the suggestion about putting together a piece before the trade deadline; I’ll definitely look into it over the next few days. These suggestions — from you or any of the other great readers around here — are always welcome. And, of course, thanks for writing in as always.
-sw
by Steve Weinman on Feb 12, 2008 10:40 AM EST reply actions 0 recs
Celtic,
Sadly, I’m in complete and utter agreement with you (and wish I’d mentioned your point at the conclusion of the piece). Every now and then I have to forget that the “mainstream” at this point is casual spectators rather than hardcore basketball fans, and as such, a “follow-the-ball-and-nothing-else” mentality can work for the networks. Aggravating.
Much thanks for writing in to make a great point about this.
-sw
by Steve Weinman on Feb 12, 2008 10:43 AM EST reply actions 0 recs
nazzbo,
Thanks as always for dropping the knowledge, particularly about the history of the camera. If you’re looking to evaluate Breen, you’ll want to see if you can listen to him when he’s really in his element — on a Knicks telecast with Walt. He does a very good job on ESPN and ABC with a decent set of analysts (he’s had Hubie, Jon Barry, Mark Jackson and Van Gundy), but he is great for MSG. Worth checking out if you have any access (I know it’s tough without League Pass or NBA TV).
-sw
by Steve Weinman on Feb 12, 2008 10:51 AM EST reply actions 0 recs
no kidding,
Couldn’t agree more…but sadly, I think it goes back to Celtic’s point about helping draw in the casual observer, which is what the networks believe that these sorts of techniques do. It’s unfortunate, really.
-sw
by Steve Weinman on Feb 12, 2008 11:01 AM EST reply actions 0 recs
People are being a bit too harsh on that angle.
I actually liked it here and there, but agree that it was used too much.
by mcpu40 on Feb 12, 2008 11:04 AM EST reply actions 0 recs
I think with better directors, the angle could really add something to the broadcast.
It needs to be used wisely, not just after plays, but during plays when it is applicable.
That’s all I’m saying.
Who cares anyway, 10 years from now we’ll be able to select our own angles.
by mcpu40 on Feb 12, 2008 11:19 AM EST reply actions 0 recs
mcpu40,
As you may have noticed by now, I’m generally loathe to unilaterally bash anything or anyone, but I have a real problem understanding what the viable upsides of the camera are at all — in live action. To me, I can understand trying out the different angles and technologies on replays, especially because that can help tighten the shot in on a particular part of the play and to see it from a different vantage point. But I would be curious to hear what you like about it in real time.
Thanks for writing in and for, as always, not hesitating to register a different viewpoint.
-sw
by Steve Weinman on Feb 12, 2008 11:23 AM EST reply actions 0 recs
mcpu40,
Bah…looks like your second comment went up just as I was posting my first one. That said, if you had any further thoughts on the matter, I’m always happy to hear them.
-sw
by Steve Weinman on Feb 12, 2008 11:24 AM EST reply actions 0 recs
My points on this matter shouldn’t count anyway because I watchthe games on a NON HDTV tv.
It looked so blurry and lame on my regular channel 5 that I changed it to 805.
The digital box actually tunes it in, and it looks better, with a black bar on top & bottom.
But still…I need an HDTV badly.
The wife is not allowing it right now though, baby due in 72 days.
by mcpu40 on Feb 12, 2008 11:32 AM EST reply actions 0 recs
ABC is just horrible. No buid-up to the games like CBS and NBC used to do. Their theme music (when they elect to use it) is stale compared to John Tesh’s masterpiece (NBA on NBC) and their announcers are second rate compared to TNT’s (Marv and Kevin Harlan).
by MBurke15 on Feb 12, 2008 3:37 PM EST reply actions 0 recs
Steve,
You asked what I liked about the low angle in real time and it’s a few things:
It gets us closer to the players, it makes us feel the game from their point of view, my 3-year old son can see their faces and recognize what it’s like down low when they have their hands on the ball, it brings a new vantage point to the action, and it’s just plain different.
I think with a lot of direction and quick thinking, it could really add something to the live broadcast if used properly.
But I totally agree that it was overused and not used properly.
Therefore, it took away from the action at points during the game.
by mcpu40 on Feb 12, 2008 7:00 PM EST reply actions 0 recs
MBurke15,
Agreed with you on almostevery count. Like many fans, I too pine for the NBC days, particularly Tesh’s appropriately named “Roundball Rock,” which I’m fortunate enough to have on my iTunes (although it isn’t the same without an NBA game to follow the intro). The music, the halftime shows, the build-ups and most of the analysts don’t thrill me either with regard to ABC.
All that said, since you mentioned two play-by-play announcers in Harlan and Marv, I would hasten to point out that Mike Breen does a job that can stack up with that of anyone in the game. That’s my only dispute.
-sw
by Steve Weinman on Feb 12, 2008 7:33 PM EST reply actions 0 recs
mcpu40,
Thanks for clarifying your points for me. I follow what you’re saying, though I think we might be able to agree that as of now, it is clear that the needed “direction and quick thinking” appears to be a long way away.
Your comments are always appreciated, and my congratulations and best of luck on the soon-to-be-impending (2 and a half months still gives you some time, I’d think) addition in your life.
-sw
by Steve Weinman on Feb 12, 2008 7:35 PM EST reply actions 0 recs

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